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Reuters - Following in the footsteps of Jane Fonda’s “Monster-in-Law,” the new Diane Keaton comedy “Smother” seemingly demonstrates that the fate of ’70s-era Oscar winners seems to be playing aging mothers from hell in woeful feature-length sitcoms. Wisely opened without advance press screenings, “Smother” also proves that “Mad Money” actually wasn’t Keaton’s career nadir.

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